{"id":3769,"date":"2026-09-03T12:53:25","date_gmt":"2026-09-03T10:53:25","guid":{"rendered":"https:\/\/www.treffpunkt-sizilien.de\/sights\/museo-del-satiro-mazara-del-vallo-tickets-hours-the-find\/"},"modified":"2026-09-03T12:54:04","modified_gmt":"2026-09-03T10:54:04","slug":"museo-del-satiro-mazara","status":"publish","type":"page","link":"https:\/\/www.treffpunkt-sizilien.de\/en\/sights\/museo-del-satiro-mazara\/","title":{"rendered":"Museo del Satiro (Mazara del Vallo): Tickets, Hours &amp; the Find"},"content":{"rendered":"<div class=\"ts-wxbar\"><div class=\"ts-wx ts-wx--ph\" data-ts-ort=\"mazara-del-vallo\" data-ts-fc=\"\" data-ts-titel=\"\"><span class=\"ts-wx__loading\">Loading weather \u2026<\/span><\/div><\/div>\n\n<p class=\"ts-verdict\"><strong>In short:<\/strong> The <strong>Museo del Satiro Danzante<\/strong> in Mazara del Vallo displays a Hellenistic bronze fished up in 1997 and 1998 from around 400 metres depth in the Sicilian Channel \u2014 a dancing satyr caught in an ecstatic spin. Some expectation-setting up front: the museum is essentially <strong>a single room<\/strong>. In exchange, it&#8217;s <strong>open daily from 9am to 8pm, with no closing day<\/strong>, and costs 8 euros. Combine the visit with the Kasbah, the cathedral and the fishing harbour into half a day.<\/p>\n\n\n<p class=\"ts-news-hint\"><strong>Update:<\/strong> A Roman shipwreck with hundreds of amphorae has been discovered off Mazara del Vallo \u2013 <a href=\"https:\/\/www.treffpunkt-sizilien.de\/news\/roemisches-schiffswrack-mazara-del-vallo-amphoren\/\">full details on the find<\/a>.<\/p>\n\n\n<h2>Quick Facts<\/h2>\n<ul class=\"ts-facts\">\n<li><strong>Type:<\/strong> single-object museum in the deconsecrated Chiesa di Sant&#8217;Egidio<\/li>\n<li><strong>Address:<\/strong> Piazza Plebiscito, Mazara del Vallo (historic centre)<\/li>\n<li><strong>Managed by:<\/strong> Parco archeologico di Selinunte, Cave di Cusa e Pantelleria (Assessorato dei Beni Culturali, Regione Siciliana) \u2014 since 2019<\/li>\n<li><strong>Admission:<\/strong> 8 euros \/ reduced 4 euros; free on the first Sunday of the month<\/li>\n<li><strong>Opening hours:<\/strong> daily 9am\u20138pm, last admission 7:15pm, <strong>no closing day<\/strong>, open on public holidays too<\/li>\n<li><strong>Highlight:<\/strong> the Satiro danzante \u2014 a bronze whose attribution and dating are disputed<\/li>\n<li><strong>Duration:<\/strong> around 30\u201345 minutes (editorial estimate)<\/li>\n<li><strong>Size:<\/strong> essentially one room plus a film room \u2014 not a destination for a whole day<\/li>\n<li><strong>Tickets:<\/strong> box office only<\/li>\n<li><strong>Information:<\/strong> +39 0923 933917<\/li>\n<\/ul>\n\n<h2>Why it&#8217;s worth the visit<\/h2>\n<p>Some museums display a collection, and then there&#8217;s this one. A single figure stands here \u2014 and it carries the room. The satyr spins on his right leg, head thrown back, hair caught in the motion. An arm and a leg are missing, and paradoxically that only heightens the sense of movement: what&#8217;s absent, the eye fills in automatically.<\/p>\n<p>The second reason is the story behind it. This bronze lay for over two thousand years at 400 metres depth in the Sicilian Channel, between Pantelleria and Cap Bon \u2014 presumably cargo from a sunken ship. It wasn&#8217;t found by an archaeologist, but by a fishing trawler from Mazara. At the entrance, a documentary about the recovery by the crew of the Capitan Ciccio plays on a loop; it&#8217;s part of the visit, not an afterthought.<\/p>\n<h2>Who it suits<\/h2>\n<table class=\"ts-decision-matrix\">\n<thead><tr><th>Criterion<\/th><th>Well suited<\/th><th>Limitations<\/th><\/tr><\/thead>\n<tbody>\n<tr><td>Antiquity enthusiasts<\/td><td>one of the most significant Hellenistic bronzes in existence<\/td><td>just one object \u2014 the rest is supporting material<\/td><\/tr>\n<tr><td>Spontaneous visitors<\/td><td>open daily 9am\u20138pm, no closing day, no queuing<\/td><td>\u2014<\/td><\/tr>\n<tr><td>Short on time<\/td><td>fully seen in 30\u201345 minutes<\/td><td>\u2014<\/td><\/tr>\n<tr><td>Families<\/td><td>the recovery film captivates children too<\/td><td>one room doesn&#8217;t sustain a long visit<\/td><\/tr>\n<tr><td>Budget-conscious<\/td><td>\u2014<\/td><td>8 euros for one room draws regular criticism; 32 euros for four people<\/td><\/tr>\n<tr><td>As a standalone destination<\/td><td>\u2014<\/td><td>barely worth the trip alone \u2014 better combined with Mazara<\/td><\/tr>\n<tr><td>In summer heat<\/td><td>indoors, long hours into the evening<\/td><td>\u2014<\/td><\/tr>\n<\/tbody>\n<\/table>\n<h2>The find \u2014 and what scholars disagree on<\/h2>\n<p><strong>Spring 1997:<\/strong> the fishing trawler <strong>Capitan Ciccio<\/strong> from Mazara del Vallo catches a fragmentary left leg in its nets. <strong>4 March 1998:<\/strong> the same boat, under Captain Francesco Adragna, recovers the torso \u2014 missing the second leg and both arms \u2014 from around 400 metres depth. At first, because of the flowing hair, the figure was taken for an <strong>Aeolus<\/strong>; only the pointed ears and the spinning motion led to its interpretation as a satyr.<\/p>\n<p>The bronze was initially restored in Mazara in deionised water, then, given the delicacy of the work, at the <strong>Istituto Centrale per il Restauro<\/strong> in Rome under Paola Donati. First presentations: the Sala della Regina in the Palazzo Montecitorio (April to June 2003), then the Capitoline Museums (June\/July 2003).<\/p>\n<p><strong>On the attribution \u2014 caution is warranted here.<\/strong> You&#8217;ll often read simply &#8220;Praxiteles&#8221;. It isn&#8217;t that simple:<\/p>\n<table class=\"ts-decision-matrix\">\n<thead><tr><th>Position<\/th><th>Held by<\/th><\/tr><\/thead>\n<tbody>\n<tr><td>A work by Praxiteles, 4th century BC<\/td><td>Paolo Moreno<\/td><\/tr>\n<tr><td>4th century BC, via a parallel with an Attic kylix<\/td><td>Filippo Giudice<\/td><\/tr>\n<tr><td><strong>Roman copy<\/strong> of a Hellenistic original, not before 300 BC<\/td><td>Salvatore Settis<\/td><\/tr>\n<tr><td>Hellenistic, decor for late-Republican Roman villas<\/td><td>Eugenio La Rocca<\/td><\/tr>\n<tr><td>Pergamene or late Hellenistic, 3rd to 2nd century BC<\/td><td>Rosalia Camerata Scorazzo<\/td><\/tr>\n<\/tbody>\n<\/table>\n<p>Even the operator is inconsistent: on the same page, one passage cautiously says &#8220;attributable to the school of Praxiteles&#8221;, while a few lines later it calls it &#8220;the masterpiece of Praxiteles&#8221;. We stick with the defensible formulation: <strong>school of Praxiteles, with attribution and dating disputed between the 4th and 2nd centuries BC.<\/strong><\/p>\n<h2>What else you&#8217;ll see<\/h2>\n<p>The museum is essentially <strong>a single large room<\/strong>. Alongside the Satiro stand:<\/p>\n<ul>\n<li>a <strong>bronze fragment of an elephant&#8217;s foot<\/strong>, Punic-Hellenistic \u2014 a reference to Carthage&#8217;s war elephants;<\/li>\n<li>a medieval bronze cauldron;<\/li>\n<li><strong>transport amphorae<\/strong> from archaic, classical, Hellenistic, Punic, Roman and medieval times;<\/li>\n<li>two <strong>iron cannons<\/strong> from Torretta Granitola, plus Corinthian and Ionic capitals;<\/li>\n<li>at the entrance, the <strong>documentary<\/strong> on the recovery.<\/li>\n<\/ul>\n<h2>The church of Sant&#8217;Egidio \u2014 not Norman<\/h2>\n<p>A persistent claim holds that the museum sits in a church of Norman origin. <strong>That&#8217;s not true.<\/strong> The operator clearly dates the building to the 16th century, built by the confraternity of the same name between the beginning and end of the Cinquecento.<\/p>\n<p>It&#8217;s easy to see where the confusion comes from: the <strong>dome on an octagonal drum, dated 1578<\/strong>, blends Arab-Norman stylistic traditions with Renaissance elements. That&#8217;s a stylistic borrowing, not an origin. The genuinely Norman building is the <strong>cathedral<\/strong> of Mazara, begun in 1086 under Roger I on the remains of a mosque \u2014 it lies a few minutes away and is likely the source of the mix-up.<\/p>\n<p>A historical detail on the side: on 21 and 22 October 1860, this building hosted the <strong>plebiscite<\/strong> on joining the Kingdom of Italy. Hence the name Piazza Plebiscito. The church is now deconsecrated and adapted as a museum building \u2014 which is also why its operator is not the church, but the region.<\/p>\n<h2>Tickets, prices and opening hours<\/h2>\n<p>Admission costs <strong>8 euros<\/strong>, reduced <strong>4 euros<\/strong>. The operator&#8217;s Italian and English pages agree on this \u2014 unusual enough, since English versions are usually the more outdated of the two. The 7 euros and 3.50 euros still circulating, along with the 6 euros from older reviews, are outdated.<\/p>\n<p><strong>Open daily from 9am to 8pm<\/strong>, last admission 7:15pm, <strong>with no closing day<\/strong>, including Sundays and public holidays. That&#8217;s remarkably generous for a Sicilian museum \u2014 and one reason the museum fits so well into a travel day. For comparison: the sister site Castello Grifeo, in the same Parco, is closed on Mondays and only open until 2pm on public holidays. Mix the two up and you lose a visiting day.<\/p>\n<p>Because the museum belongs to the <strong>Parco archeologico di Selinunte, Cave di Cusa e Pantelleria<\/strong> and therefore to the Assessorato, the Sicilian tariff rules apply:<\/p>\n<table class=\"ts-decision-matrix\">\n<thead><tr><th>Group<\/th><th>Rule<\/th><th>Note<\/th><\/tr><\/thead>\n<tbody>\n<tr><td>First Sunday of the month<\/td><td>free<\/td><td>Sicily&#8217;s own regional rule<\/td><\/tr>\n<tr><td>Under 18<\/td><td>free<\/td><td>under 12 only with an accompanying adult<\/td><\/tr>\n<tr><td>EU citizens 18\u201325<\/td><td>50 percent<\/td><td>i.e. 4 euros<\/td><\/tr>\n<tr><td><strong>Over 65<\/strong><\/td><td><strong>full price<\/strong><\/td><td>Sicily has no senior discount<\/td><\/tr>\n<tr><td>Teachers, journalists, ICOM<\/td><td>free<\/td><td>including teachers on temporary contracts<\/td><\/tr>\n<tr><td>Disability + 1 companion<\/td><td>free<\/td><td>\u2014<\/td><\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Tickets<\/strong> are sold exclusively at the on-site ticket desk. The operator publishes nothing on <strong>accessibility<\/strong> or <strong>photography<\/strong> \u2014 both remain open questions to be clarified on site.<\/p>\n<h2>Getting there<\/h2>\n<p>The museum is on <strong>Piazza Plebiscito<\/strong> in the historic centre of Mazara del Vallo. The train station lies on the Alcamo Diramazione\u2013Castelvetrano\u2013Trapani line.<\/p>\n<p><strong>Here we have to be honest and pass:<\/strong> there is no usable official source on bus lines, parking options, or above all the <strong>ZTL status of Piazza Plebiscito<\/strong>. The ZTL question in particular would matter to rental-car travellers \u2014 but we won&#8217;t invent an answer. To be safe, plan on parking outside the centre and walking the rest; the centre itself is compact. Generally: <a href=\"\/nahverkehr-sizilien\/\">bus &amp; train in Sicily<\/a> and <a href=\"\/mietwagen-sizilien\/\">car rental in Sicily<\/a>.<\/p>\n<h2>Best time to visit and common mistakes<\/h2>\n<p>Thanks to the daily opening until 8pm, the museum works year-round and at almost any time of day. The most common mistakes:<\/p>\n<ul>\n<li><strong>Travelling here as a standalone destination.<\/strong> One room doesn&#8217;t justify a dedicated trip. As part of a Mazara half-day, though, it&#8217;s strong.<\/li>\n<li><strong>Expecting a large museum.<\/strong> It&#8217;s deliberately a single-object house.<\/li>\n<li><strong>Expecting 7 or 6 euros.<\/strong> It&#8217;s 8.<\/li>\n<li><strong>Assuming it&#8217;s closed on Mondays.<\/strong> It isn&#8217;t \u2014 there&#8217;s no closing day.<\/li>\n<li><strong>Taking the attribution to Praxiteles as settled fact.<\/strong> It isn&#8217;t.<\/li>\n<\/ul>\n<p>Recurring criticisms worth knowing about: the value for money for a single room, repetitive and awkwardly placed labelling, and the film room, which doubles as a passage to the restroom and office. For a seasonal overview, see <a href=\"https:\/\/www.treffpunkt-sizilien.de\/en\/best-time-to-visit-sicily\/\">Best Time to Visit Sicily<\/a>.<\/p>\n<h2>Nearby<\/h2>\n<ul>\n<li><strong>The <a href=\"https:\/\/www.treffpunkt-sizilien.de\/en\/places\/mazara-del-vallo\/\">Kasbah of Mazara del Vallo<\/a><\/strong> \u2014 the Arab quarter with the layout of a North African medina, narrow lanes, walkable.<\/li>\n<li><strong>Cattedrale del Santissimo Salvatore<\/strong> \u2014 begun in 1086 under Roger I on the remains of a mosque. This is the city&#8217;s genuinely Norman building.<\/li>\n<li><strong>Museo Civico<\/strong> in the Collegio dei Gesuiti, together with the library and historical archive.<\/li>\n<li><strong>Porto canale<\/strong> \u2014 home to Italy&#8217;s largest fishing fleet; plus the Lungomare Mazzini.<\/li>\n<li><strong><a href=\"https:\/\/www.treffpunkt-sizilien.de\/en\/places\/selinunte\/\">Selinunte<\/a><\/strong> \u2014 the main site of the same Parco archeologico, east of Mazara.<\/li>\n<li><strong><a href=\"https:\/\/www.treffpunkt-sizilien.de\/en\/sights\/museo-lilibeo-marsala\/\">Museo Lilibeo in Marsala<\/a><\/strong> \u2014 the Punic ship, to the north; the region&#8217;s second major maritime find.<\/li>\n<li><strong><a href=\"https:\/\/www.treffpunkt-sizilien.de\/news\/roemisches-schiffswrack-mazara-del-vallo-amphoren\/\">Roman shipwreck with 500 amphorae discovered off Mazara del Vallo<\/a><\/strong> \u2014 the new find adds to the city&#8217;s maritime discovery history.<\/li>\n<\/ul>\n<h2>Frequently Asked Questions<\/h2>\n<div class=\"ts-faq\">\n<details class=\"ts-faq__item\"><summary>What does admission to the Museo del Satiro cost?<\/summary><div class=\"ts-faq__a\"><p>8 euros regular, 4 euros reduced. The 7 euros and 3.50 euros circulating online, along with the 6 euros from older reviews, are outdated. The operator&#8217;s Italian and English pages agree on 8 euros.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>When is the Museo del Satiro open?<\/summary><div class=\"ts-faq__a\"><p>Daily from 9am to 8pm, last admission at 7:15pm. There is no closing day \u2014 it&#8217;s open all day even on Sundays and public holidays. That&#8217;s above average generosity for a Sicilian museum. The common worry that it&#8217;s closed on Mondays doesn&#8217;t apply here.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>Do seniors over 65 get a discount?<\/summary><div class=\"ts-faq__a\"><p>No. The museum belongs to the Parco archeologico di Selinunte and therefore to the Sicilian Assessorato dei Beni Culturali \u2014 whose tariff rules make no provision for a senior discount. Over-65s pay full price. Free admission applies to visitors under 18, teachers, journalists, ICOM members, and people with disabilities plus one companion. EU citizens aged 18 to 25 pay half price. Admission is free on the first Sunday of the month.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>How was the Satiro found?<\/summary><div class=\"ts-faq__a\"><p>In spring 1997, the fishing trawler Capitan Ciccio from Mazara del Vallo caught a fragmentary left leg in its nets. On 4 March 1998, the same boat, under Captain Francesco Adragna, recovered the torso \u2014 missing the second leg and both arms \u2014 from around 400 metres depth. The find site was the Sicilian Channel between Pantelleria and Cap Bon in Tunisia. The figure presumably came from the cargo of an ancient shipwreck. At first it was taken, because of its flowing hair, for an Aeolus.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>Is the Satiro really a work by Praxiteles?<\/summary><div class=\"ts-faq__a\"><p>That&#8217;s disputed and shouldn&#8217;t be presented as fact. Paolo Moreno attributes the bronze to Praxiteles and dates it to the 4th century BC. Salvatore Settis considers it a Roman copy of a Hellenistic original, not before 300 BC. Eugenio La Rocca sees it as Hellenistic, others as Pergamene or late Hellenistic. Even the operator is inconsistent: the same page calls it &#8220;school of Praxiteles&#8221; in one place and &#8220;masterpiece of Praxiteles&#8221; a few lines later. What&#8217;s certain is only that the attribution remains open.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>What does the figure depict?<\/summary><div class=\"ts-faq__a\"><p>A satyr at the height of ecstatic, orgiastic dance, spinning on his right leg. In his left hand he would have held the kantharos, the wine cup; in his right, the thyrsus with its ribbon and pine cone; a panther skin lies over his shoulder. An arm and a leg are missing \u2014 which, if anything, heightens the sense of the spinning motion.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>Is the museum very small?<\/summary><div class=\"ts-faq__a\"><p>Yes, and that&#8217;s worth knowing. It&#8217;s essentially a single large room. At the entrance, a documentary plays about the recovery by the crew of the Capitan Ciccio. Alongside the Satiro there&#8217;s the bronze fragment of an elephant&#8217;s foot, a medieval bronze cauldron, transport amphorae from archaic to medieval times, two iron cannons from Torretta Granitola, and Corinthian and Ionic capitals. A recurring criticism is the value for money for a single room. Our recommendation: don&#8217;t travel here as a standalone destination \u2014 combine it with the Kasbah, the cathedral and the fishing harbour into a half-day.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>Is the church of Sant&#8217;Egidio Norman?<\/summary><div class=\"ts-faq__a\"><p>No \u2014 that&#8217;s a common misconception. The operator dates the building to the 16th century, from the beginning to the end of the Cinquecento. The Arab-Norman impression comes from the dome on an octagonal drum, dated 1578, which blends those stylistic traditions with Renaissance elements. That&#8217;s a stylistic borrowing, not a Norman origin. The genuinely Norman building is the cathedral of Mazara, begun in 1086 under Roger I. The church today is deconsecrated and adapted as a museum building.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>How much time should I plan?<\/summary><div class=\"ts-faq__a\"><p>In our estimation, 30 to 45 minutes for the room and the film. There&#8217;s no official figure from the operator.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>Can I drive straight there?<\/summary><div class=\"ts-faq__a\"><p>We can&#8217;t answer that reliably. The museum sits on Piazza Plebiscito, right in the historic centre of Mazara del Vallo. Neither the operator nor any other official source publishes usable information on whether and when a ZTL restriction applies there, or where to park. We deliberately give no figure here rather than invent one \u2014 plan on parking outside the centre.<\/p><\/div><\/details>\n<\/div>\n\n<div class=\"ts-offer\">\n<h3>Western Sicily<\/h3>\n<p>Mazara, Selinunte, Marsala and the salt pans lie close together and make for a calm, dense route off the main tourist trails. We put it together and book the accommodation. Just send us a no-obligation travel enquiry.<\/p>\n<p><a class=\"ts-offer__cta\" href=\"https:\/\/www.treffpunkt-sizilien.de\/reise-anfragen\/\">Send a travel enquiry now<\/a><\/p>\n<\/div>\n\n<h2>Sources &amp; update<\/h2>\n<p>Management, prices, opening hours and discounts based on the pages of the Parco archeologico di Selinunte, Cave di Cusa e Pantelleria (Assessorato dei Beni Culturali e dell&#8217;Identit\u00e0 Siciliana, Regione Siciliana); information on the find, recovery and restoration, as well as the overview of scholarly attributions, based on documentation from the journal Engramma; dating and building history of the Chiesa di Sant&#8217;Egidio based on the operator. As of 16 July 2026. Deliberately left open, because unverifiable: bus lines, parking and the ZTL status of Piazza Plebiscito, accessibility, photography rules, and the year the Satiro finally came to Mazara (sources give both 2003 and 2005). The attribution to Praxiteles is disputed in scholarship and is not presented here as settled. Admission and opening hours are time-dependent and should be checked before your visit.<\/p>\n\n\n{&#8220;@context&#8221;:&#8221;https:\/\/schema.org&#8221;,&#8221;@graph&#8221;:[{&#8220;@type&#8221;:&#8221;BreadcrumbList&#8221;,&#8221;itemListElement&#8221;:[{&#8220;@type&#8221;:&#8221;ListItem&#8221;,&#8221;position&#8221;:1,&#8221;name&#8221;:&#8221;Home&#8221;,&#8221;item&#8221;:&#8221;https:\/\/www.treffpunkt-sizilien.de\/en\/&#8221;},{&#8220;@type&#8221;:&#8221;ListItem&#8221;,&#8221;position&#8221;:2,&#8221;name&#8221;:&#8221;Sights&#8221;,&#8221;item&#8221;:&#8221;https:\/\/www.treffpunkt-sizilien.de\/en\/sights\/&#8221;},{&#8220;@type&#8221;:&#8221;ListItem&#8221;,&#8221;position&#8221;:3,&#8221;name&#8221;:&#8221;Museo del Satiro&#8221;,&#8221;item&#8221;:&#8221;https:\/\/www.treffpunkt-sizilien.de\/en\/sights\/museo-del-satiro-mazara\/&#8221;}]},{&#8220;@type&#8221;:&#8221;Museum&#8221;,&#8221;name&#8221;:&#8221;Museo del Satiro Danzante&#8221;,&#8221;description&#8221;:&#8221;Museum in the deconsecrated Chiesa di Sant&#8217;Egidio in Mazara del Vallo, part of the Parco archeologico di Selinunte. 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The 7 euros and 3.50 euros circulating online, along with the 6 euros from older reviews, are outdated. The operator&#8217;s Italian and English pages agree on 8 euros.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;When is the Museo del Satiro open?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;Daily from 9am to 8pm, last admission at 7:15pm. There is no closing day \u2014 it&#8217;s open all day even on Sundays and public holidays. That&#8217;s above average generosity for a Sicilian museum. The common worry that it&#8217;s closed on Mondays doesn&#8217;t apply here.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;Do seniors over 65 get a discount?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;No. The museum belongs to the Parco archeologico di Selinunte and therefore to the Sicilian Assessorato dei Beni Culturali \u2014 whose tariff rules make no provision for a senior discount. Over-65s pay full price. Free admission applies to visitors under 18, teachers, journalists, ICOM members, and people with disabilities plus one companion. EU citizens aged 18 to 25 pay half price. Admission is free on the first Sunday of the month.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;How was the Satiro found?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;In spring 1997, the fishing trawler Capitan Ciccio from Mazara del Vallo caught a fragmentary left leg in its nets. On 4 March 1998, the same boat, under Captain Francesco Adragna, recovered the torso \u2014 missing the second leg and both arms \u2014 from around 400 metres depth. The find site was the Sicilian Channel between Pantelleria and Cap Bon in Tunisia. The figure presumably came from the cargo of an ancient shipwreck. At first it was taken, because of its flowing hair, for an Aeolus.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;Is the Satiro really a work by Praxiteles?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;That&#8217;s disputed and shouldn&#8217;t be presented as fact. Paolo Moreno attributes the bronze to Praxiteles and dates it to the 4th century BC. Salvatore Settis considers it a Roman copy of a Hellenistic original, not before 300 BC. Eugenio La Rocca sees it as Hellenistic, others as Pergamene or late Hellenistic. Even the operator is inconsistent: the same page calls it &#8216;school of Praxiteles&#8217; in one place and &#8216;masterpiece of Praxiteles&#8217; a few lines later. What&#8217;s certain is only that the attribution remains open.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;What does the figure depict?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;A satyr at the height of ecstatic, orgiastic dance, spinning on his right leg. In his left hand he would have held the kantharos, the wine cup; in his right, the thyrsus with its ribbon and pine cone; a panther skin lies over his shoulder. An arm and a leg are missing \u2014 which, if anything, heightens the sense of the spinning motion.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;Is the museum very small?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;Yes, and that&#8217;s worth knowing. It&#8217;s essentially a single large room. At the entrance, a documentary plays about the recovery by the crew of the Capitan Ciccio. Alongside the Satiro there&#8217;s the bronze fragment of an elephant&#8217;s foot, a medieval bronze cauldron, transport amphorae from archaic to medieval times, two iron cannons from Torretta Granitola, and Corinthian and Ionic capitals. A recurring criticism is the value for money for a single room. Our recommendation: don&#8217;t travel here as a standalone destination \u2014 combine it with the Kasbah, the cathedral and the fishing harbour into a half-day.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;Is the church of Sant&#8217;Egidio Norman?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;No \u2014 that&#8217;s a common misconception. The operator dates the building to the 16th century, from the beginning to the end of the Cinquecento. The Arab-Norman impression comes from the dome on an octagonal drum, dated 1578, which blends those stylistic traditions with Renaissance elements. That&#8217;s a stylistic borrowing, not a Norman origin. The genuinely Norman building is the cathedral of Mazara, begun in 1086 under Roger I. The church today is deconsecrated and adapted as a museum building.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;How much time should I plan?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;In our estimation, 30 to 45 minutes for the room and the film. There&#8217;s no official figure from the operator.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;Can I drive straight there?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;We can&#8217;t answer that reliably. The museum sits on Piazza Plebiscito, right in the historic centre of Mazara del Vallo. Neither the operator nor any other official source publishes usable information on whether and when a ZTL restriction applies there, or where to park. We deliberately give no figure here rather than invent one \u2014 plan on parking outside the centre.&#8221;}}]}]}\n","protected":false},"excerpt":{"rendered":"<p>In short: The Museo del Satiro Danzante in Mazara del Vallo displays a Hellenistic bronze fished up in 1997 and 1998 from around 400 metres depth in the Sicilian Channel \u2014 a dancing satyr caught in an ecstatic spin. Some expectation-setting up front: the museum is essentially a single room. In exchange, it&#8217;s open daily [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3675,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3769","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/pages\/3769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/comments?post=3769"}],"version-history":[{"count":1,"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/pages\/3769\/revisions"}],"predecessor-version":[{"id":3770,"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/pages\/3769\/revisions\/3770"}],"up":[{"embeddable":true,"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/pages\/3675"}],"wp:attachment":[{"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/media?parent=3769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}