{"id":3836,"date":"2026-09-03T14:59:22","date_gmt":"2026-09-03T12:59:22","guid":{"rendered":"https:\/\/www.treffpunkt-sizilien.de\/sights\/pupi-fratelli-napoli-catania-workshop-shows-visit\/"},"modified":"2026-09-03T14:59:48","modified_gmt":"2026-09-03T12:59:48","slug":"museo-pupi-napoli-catania","status":"publish","type":"page","link":"https:\/\/www.treffpunkt-sizilien.de\/en\/sights\/museo-pupi-napoli-catania\/","title":{"rendered":"Pupi Fratelli Napoli (Catania): Workshop, Shows &amp; Visit"},"content":{"rendered":"<div class=\"ts-wxbar\"><div class=\"ts-wx ts-wx--ph\" data-ts-ort=\"catania\" data-ts-fc=\"\" data-ts-titel=\"\"><span class=\"ts-wx__loading\">Wetter wird geladen \u2026<\/span><\/div><\/div>\n\n<p class=\"ts-verdict\"><strong>In short:<\/strong> The <strong>Marionettistica dei Fratelli Napoli<\/strong> is Catania&#8217;s most important puparo family &ndash; performing continuously since <strong>1921<\/strong>, now run by the great- or great-great-grandchildren&#8217;s generation. Their <strong>Antica Bottega del Puparo<\/strong> on Via Reitano is workshop, theatre and, since 2015, also a museum. Important: this is <strong>not a museum with a ticket desk and fixed hours<\/strong> &ndash; there are no publicly documented hours and no documented prices. <strong>Call ahead.<\/strong><\/p>\n\n\n<h2>Quick Facts<\/h2>\n<ul class=\"ts-facts\">\n<li><strong>Type:<\/strong> workshop, theatre and collection of an active puparo family<\/li>\n<li><strong>Address:<\/strong> Via Reitano 55, Catania &ndash; the &bdquo;Antica Bottega del Puparo&ldquo;, near Castello Ursino and the Pescheria<\/li>\n<li><strong>Operator:<\/strong> private, family-run (Compagnia La Marionettistica dei Fratelli Napoli) &ndash; <strong>not a regional-museum house<\/strong><\/li>\n<li><strong>Founded:<\/strong> <strong>1921<\/strong> by Gaetano Napoli (1877&ndash;1968) &ndash; not in the 19th century<\/li>\n<li><strong>Museum:<\/strong> opened 2015, the collection wing of the working compagnia<\/li>\n<li><strong>Admission:<\/strong> <strong>not documented<\/strong> &ndash; figures in circulation come from resellers<\/li>\n<li><strong>Opening:<\/strong> <strong>no documented regular hours<\/strong> &ndash; arrange a visit in advance<\/li>\n<li><strong>Shows:<\/strong> vary by season &ndash; ask directly for the current programme<\/li>\n<li><strong>Catania-style Pupi:<\/strong> 140&ndash;150 cm, 20&ndash;30 kg, rigid knees, sword fixed in the fist<\/li>\n<li><strong>Contact:<\/strong> fratellinapoli@hotmail.com<\/li>\n<\/ul>\n\n<h2>Why the Visit Is Worthwhile<\/h2>\n<p>Sicily has museums about the Opera dei Pupi. And it has families who have performed it for over a hundred years. The Napoli are the second kind.<\/p>\n<p>In <strong>1921<\/strong>, <strong>Gaetano Napoli<\/strong> founded the compagnia in Catania &ndash; since then it has performed, built and restored without interruption. Today several generations work in the workshop at once: Fiorenzo Napoli, his wife Agnese Torrisi, sons Davide, Dario and Marco, and Alessandro Napoli. The compagnia tours, produces its own cycles and collaborates with the Teatro Stabile di Catania.<\/p>\n<p>The <strong>2015 museum<\/strong> is therefore not an end in itself, but the collection wing of an active business: Pupi from the late 19th and early 20th centuries, stage backdrops, the painted <em>cartelli<\/em> once used to advertise the evening&#8217;s show, fondali, stage machinery &ndash; and the <strong>canovacci<\/strong>, the handwritten playbooks. Seeing them, you understand the dialogue was never written down but improvised by the pupari; the books give only the skeleton.<\/p>\n<p><strong>A correction that&#8217;s often needed:<\/strong> you&#8217;ll frequently read that the Napoli have been pupari since the 19th century. That&#8217;s not quite right. The <em>compagnia<\/em> dates to 1921; it&#8217;s the <em>puppets<\/em> in the collection that date from the 19th century. That&#8217;s probably where the confusion comes from.<\/p>\n<h2>Who Is This Visit For?<\/h2>\n<table class=\"ts-decision-matrix\">\n<thead><tr><th>Criterion<\/th><th>Well suited<\/th><th>Limitations<\/th><\/tr><\/thead>\n<tbody>\n<tr><td>Those who want to see the Pupi being worked on<\/td><td>a workshop in operation, not a display case<\/td><td>by arrangement only<\/td><\/tr>\n<tr><td>Spontaneous visitors<\/td><td>&ndash;<\/td><td>no documented opening hours &ndash; call ahead<\/td><\/tr>\n<tr><td>Those wanting to understand the Catania school<\/td><td>this is where the heavy, large Pupi stand<\/td><td>&ndash;<\/td><\/tr>\n<tr><td>Families<\/td><td>workshop conversation and shows work well with children too<\/td><td>appointment needed, programme changes<\/td><\/tr>\n<tr><td>Those expecting a large museum<\/td><td>&ndash;<\/td><td>it&#8217;s the collection of a compagnia, not a house with a ticket desk<\/td><\/tr>\n<tr><td>Without a car<\/td><td>old-town location near Castello Ursino and the Pescheria<\/td><td>&ndash;<\/td><\/tr>\n<tr><td>With a rental car<\/td><td>&ndash;<\/td><td>old-town location; park outside and walk in<\/td><\/tr>\n<tr><td>Budget-conscious travellers<\/td><td>&ndash;<\/td><td>prices not published &ndash; ask in advance<\/td><\/tr>\n<\/tbody>\n<\/table>\n<h2>Opening Hours and Prices: Why None Are Listed Here<\/h2>\n<p>This page deliberately lists neither opening hours nor an admission price. That&#8217;s not an oversight &ndash; it&#8217;s the result of checking.<\/p>\n<ul>\n<li>The compagnia&#8217;s <strong>own website<\/strong> is built entirely in JavaScript and yields no readable price or time information.<\/li>\n<li>The <strong>Italian museum portal<\/strong> leaves the fields for opening hours and tickets <strong>blank<\/strong> and explicitly advises asking the institution directly for times.<\/li>\n<li>The hours circulating online &ndash; &bdquo;Mon&ndash;Fri 5:00&ndash;8:30pm, Sat 9:00am&ndash;1:00pm&ldquo; &ndash; come from a <strong>2018 blog post<\/strong>. Eight years old.<\/li>\n<li>The circulating prices &ndash; &euro;4 museum, &euro;10 show &ndash; come from <strong>ticket portals and resellers<\/strong>, not from the family.<\/li>\n<\/ul>\n<p><strong>We won&#8217;t repeat that.<\/strong> Other portals do &ndash; which is exactly why figures nobody has verified show up there. At a workshop where a family actually works, &bdquo;call ahead&ldquo; is the realistic answer anyway. Contact: <strong>fratellinapoli@hotmail.com<\/strong>. Two mobile numbers circulate (347 0954526 and 347 3034600), both from secondary sources &ndash; we were unable to verify either.<\/p>\n<p><strong>The regional-museum rules don&#8217;t apply here anyway.<\/strong> The Marionettistica is a private family business: no free first Sunday, no age-tiered admission under regional rules.<\/p>\n<h2>The Catania School &ndash; Heavy, Large, and Therefore Rigid<\/h2>\n<p>UNESCO names <strong>two<\/strong> main Sicilian schools: Palermo and Catania. They differ in the size and shape of the puppets, in the handling technique, and in the stage backdrops. Here in Catania stands the heavy variant:<\/p>\n<table class=\"ts-decision-matrix\">\n<thead><tr><th><\/th><th>Palermo<\/th><th>Catania<\/th><\/tr><\/thead>\n<tbody>\n<tr><td>Height<\/td><td>approx. 80 cm<\/td><td><strong>140&ndash;150 cm<\/strong><\/td><\/tr>\n<tr><td>Weight<\/td><td>6&ndash;7 kg<\/td><td><strong>20&ndash;30 kg<\/strong><\/td><\/tr>\n<tr><td>Knees<\/td><td>flexible<\/td><td><strong>rigid<\/strong><\/td><\/tr>\n<tr><td>Sword<\/td><td>changes hands<\/td><td><strong>fixed in the fist<\/strong><\/td><\/tr>\n<tr><td>Handled<\/td><td>from the sides of the stage<\/td><td>from above<\/td><\/tr>\n<\/tbody>\n<\/table>\n<p><strong>The connection almost every account misses:<\/strong> the rigid knees aren&#8217;t a stylistic quirk, but a <strong>consequence of the weight<\/strong>. A Palermo Pupo at 6 to 7 kilos can be held for a long time, so flexible joints are affordable. At 20 to 30 kilos, rigid legs take the strain off the puppeteer &ndash; otherwise no one could get through a show. The technique follows the physics.<\/p>\n<p>The same goes for the sword: on the Catania Pupi it sits <strong>fixed in the fist<\/strong>, because <strong>sword combat is central<\/strong> to the repertoire. The Palermo school gives the dramaturgy more room &ndash; from epic material through scenes of social life to classical subjects.<\/p>\n<p><strong>A clarification that&#8217;s often missing:<\/strong> the raised manoeuvring bridge, from which the pupari stand above the stage, is often credited to the Catania school. In fact it&#8217;s an <a href=\"https:\/\/www.treffpunkt-sizilien.de\/en\/sights\/museo-pupi-acireale\/\">Acireale<\/a> invention of the 1920s. Precision matters here.<\/p>\n<h2>Getting There<\/h2>\n<p>The <strong>Antica Bottega del Puparo<\/strong> is on <strong>Via Reitano 55<\/strong> in Catania&#8217;s historic centre, near <a href=\"https:\/\/www.treffpunkt-sizilien.de\/sehenswuerdigkeiten\/castello-ursino-catania\/\">Castello Ursino<\/a> and the <strong>Pescheria<\/strong>, the fish market. Everything from there is reachable on foot.<\/p>\n<p><strong>We can&#8217;t say anything solid about the ZTL.<\/strong> The old-town location suggests an access restriction, but we have no verified source from the Comune di Catania for it &ndash; and we won&#8217;t invent one. The practical recommendation stays the same as in any Sicilian old town: park outside and walk in. More on the city: <a href=\"https:\/\/www.treffpunkt-sizilien.de\/en\/places\/catania\/\">Catania<\/a>; more generally: <a href=\"https:\/\/www.treffpunkt-sizilien.de\/nahverkehr-sizilien\/\">Buses &amp; trains in Sicily<\/a> and <a href=\"https:\/\/www.treffpunkt-sizilien.de\/en\/car-rental-sicily\/\">Car rental in Sicily<\/a>.<\/p>\n<p><strong>A note on the address:<\/strong> a second address occasionally circulates, at the <em>Vecchia Dogana<\/em>, described there as a theatre. It comes from ticket resellers; whether the compagnia performs or has performed there is unclear. The compagnia&#8217;s own website gives Via Reitano 55. If you&#8217;re attending a show, ask to confirm the venue beforehand.<\/p>\n<p><strong>Accessibility:<\/strong> one museum portal lists &bdquo;access for people with disabilities&ldquo; &ndash; but that&#8217;s not information from the family itself, so we won&#8217;t vouch for it; please ask in advance. There is no source for <strong>photography rules<\/strong> or a typical visit duration.<\/p>\n<h2>Best Time to Visit and Common Mistakes<\/h2>\n<p>As an indoor destination it&#8217;s suitable year-round &ndash; provided someone is actually there. The most common mistakes:<\/p>\n<ul>\n<li><strong>Showing up unannounced.<\/strong> The classic mistake. It&#8217;s a workshop, not a museum with a ticket desk.<\/li>\n<li><strong>Taking opening hours from blogs.<\/strong> The hours in circulation date from 2018.<\/li>\n<li><strong>Expecting &euro;4 or &euro;10.<\/strong> Those figures come from resellers, not from the family.<\/li>\n<li><strong>Only wanting the museum.<\/strong> The heart of it is the show, or the workshop conversation &ndash; the museum is the collection wing.<\/li>\n<li><strong>Expecting a large institution.<\/strong> It&#8217;s a family&#8217;s bottega.<\/li>\n<\/ul>\n<p>A thought UNESCO itself makes: tourism has lowered the quality of performances, because they used to be played only for a local audience. That&#8217;s exactly why houses like this one are interesting &ndash; nothing here is produced for tour groups, it&#8217;s worked on. For seasonal context, see <a href=\"https:\/\/www.treffpunkt-sizilien.de\/en\/best-time-to-visit-sicily\/\">Best Time to Visit Sicily<\/a>.<\/p>\n<h2>Nearby<\/h2>\n<ul>\n<li><strong><a href=\"https:\/\/www.treffpunkt-sizilien.de\/sehenswuerdigkeiten\/castello-ursino-catania\/\">Castello Ursino<\/a><\/strong> &ndash; the Staufer castle, a few minutes away.<\/li>\n<li><strong>The Pescheria<\/strong> &ndash; Catania&#8217;s fish market, right next door and an experience in itself in the morning.<\/li>\n<li><strong><a href=\"https:\/\/www.treffpunkt-sizilien.de\/en\/sights\/cathedral-of-catania\/\">Catania Cathedral<\/a><\/strong> and the Piazza del Duomo.<\/li>\n<li><strong><a href=\"https:\/\/www.treffpunkt-sizilien.de\/sehenswuerdigkeiten\/via-dei-crociferi-catania\/\">Via dei Crociferi<\/a><\/strong> &ndash; the baroque street of churches.<\/li>\n<li><strong><a href=\"https:\/\/www.treffpunkt-sizilien.de\/en\/sights\/museo-pupi-acireale\/\">Turi Grasso in Acireale<\/a><\/strong> &ndash; the Acireale variant of the same tradition, with the famous manoeuvring bridge.<\/li>\n<\/ul>\n<h2>Frequently Asked Questions<\/h2>\n<div class=\"ts-faq\">\n<details class=\"ts-faq__item\"><summary>Can I just drop by?<\/summary><div class=\"ts-faq__a\"><p>Better not to. There are no publicly documented regular opening hours &ndash; the compagnia doesn&#8217;t publish any, and the Italian museum portal explicitly leaves the fields for opening hours and prices blank with a note to ask the institution directly. It&#8217;s the workshop of a working family, not a tightly scheduled museum. Calling ahead here isn&#8217;t a precaution &ndash; it&#8217;s the normal way in.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>What does admission cost?<\/summary><div class=\"ts-faq__a\"><p>We can&#8217;t say that responsibly. The figures in circulation &ndash; &euro;4 for the museum, &euro;10 for the show &ndash; come from ticket portals and resellers, not from the compagnia. So we don&#8217;t state them. Ask directly.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>Do the Sicilian museum rules apply here?<\/summary><div class=\"ts-faq__a\"><p>No. The Marionettistica dei Fratelli Napoli is a private family business &ndash; not a regional-museum house, no region, no municipality. So there&#8217;s no free first Sunday, no free-under-18 rule and no 50-percent tier for 18- to 25-year-olds. Whatever discounts the family grants, it grants voluntarily.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>Since when has the compagnia existed?<\/summary><div class=\"ts-faq__a\"><p>Since 1921. It was founded in Catania by Gaetano Napoli, 1877 to 1968. The commonly read claim that the family has been a puparo dynasty since the 19th century isn&#8217;t quite right &ndash; that&#8217;s likely confused with the puppets: the collection contains Pupi from the late 19th and early 20th centuries. The family has performed without interruption since 1921.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>How many generations are active?<\/summary><div class=\"ts-faq__a\"><p>Several, though the exact number is unclear: sources vary between the fourth and fifth generation. Active members include Fiorenzo Napoli, his wife Agnese Torrisi, sons Davide, Dario and Marco, and Alessandro Napoli. So we won&#8217;t give a number, only what&#8217;s certain: today it&#8217;s the great- or great-great-grandchildren&#8217;s generation of the founder.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>What does the collection show?<\/summary><div class=\"ts-faq__a\"><p>Pupi from the late 19th and early 20th centuries, stage backdrops, the painted announcement posters, fondali, stage machinery &ndash; and the canovacci, the handwritten playbooks. The museum opened in 2015. It&#8217;s the collection wing of a working compagnia, not a standalone museum.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>What distinguishes the Catania Pupi from the Palermo ones?<\/summary><div class=\"ts-faq__a\"><p>Size, weight and handling. The Catania Pupi, at 140 to 150 centimetres and 20 to 30 kilos, are considerably larger and heavier than the Palermo ones, which measure around 80 centimetres and weigh 6 to 7 kilos. They have rigid knees, directly as a result of the weight: at 25 kilos, rigid legs take the strain off the puppeteer, while at 7 kilos flexible joints are affordable. The sword sits fixed in the fist because sword combat is central to the repertoire. UNESCO names Palermo and Catania as the two main Sicilian schools.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>Is the show more important than the museum?<\/summary><div class=\"ts-faq__a\"><p>Yes, and that should set your expectations. The Marionettistica is primarily a performing operation: it tours, produces its own cycles and collaborates with the Teatro Stabile di Catania. The 2015 museum is the collection wing of that operation. A visit without checking the programme is only of limited value.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>When are shows performed?<\/summary><div class=\"ts-faq__a\"><p>That varies by season and can&#8217;t be stated permanently. We deliberately don&#8217;t list dates here that would be wrong tomorrow. Ask the compagnia directly for the current programme.<\/p><\/div><\/details>\n<details class=\"ts-faq__item\"><summary>Where exactly is the bottega?<\/summary><div class=\"ts-faq__a\"><p>Via Reitano 55 in Catania, in the historic centre near Castello Ursino and the Pescheria, the fish market. Note: a second address at the Vecchia Dogana occasionally circulates. We couldn&#8217;t clarify whether performances take or took place there &ndash; the compagnia&#8217;s own website gives Via Reitano 55. If you&#8217;re attending a show, ask to confirm the venue beforehand.<\/p><\/div><\/details>\n<\/div>\n\n<div class=\"ts-offer\">\n<h3>Catania and Etna<\/h3>\n<p>Workshop visits, markets, baroque architecture and the volcano can be woven into a Catania programme that goes beyond the postcard shots &ndash; we put it together and book the accommodation. Just send us a no-obligation travel request.<\/p>\n<p><a class=\"ts-offer__cta\" href=\"https:\/\/www.treffpunkt-sizilien.de\/reise-anfragen\/\">Request your trip now<\/a><\/p>\n<\/div>\n\n<h2>Sources &amp; Updates<\/h2>\n<p>Ownership, address and founding year according to the website of the Compagnia La Marionettistica dei Fratelli Napoli and regional press reports; details on the collection and the museum&#8217;s 2015 opening according to the Italian museum portal, which also explicitly advises asking the institution directly about opening hours; the distinction between the schools (dimensions, weight, knees, sword handling) according to the Compagnia Turi Grasso in Acireale and the scientific typology of the Museo Pasqualino in Palermo; the UNESCO status of the Opera dei Pupi and the statement on the two main Sicilian schools according to the primary source ich.unesco.org. As of: 17 July 2026. Explicitly left open because they cannot be documented from admissible sources: admission prices, regular opening hours, show programme, phone numbers, ZTL status, accessibility, photography rules and the number of active generations. The prices circulating online come from resellers, the circulating opening hours from a 2018 blog post &ndash; neither is repeated here deliberately. 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The commonly read claim that the family has been a puparo dynasty since the 19th century isn&#8217;t quite right &#8211; that&#8217;s likely confused with the puppets: the collection contains Pupi from the late 19th and early 20th centuries. The family has performed without interruption since 1921.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;How many generations are active?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;Several, though the exact number is unclear: sources vary between the fourth and fifth generation. Active members include Fiorenzo Napoli, his wife Agnese Torrisi, sons Davide, Dario and Marco, and Alessandro Napoli. So we won&#8217;t give a number, only what&#8217;s certain: today it&#8217;s the great- or great-great-grandchildren&#8217;s generation of the founder.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;What does the collection show?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;Pupi from the late 19th and early 20th centuries, stage backdrops, the painted announcement posters, fondali, stage machinery &#8211; and the canovacci, the handwritten playbooks. The museum opened in 2015. It&#8217;s the collection wing of a working compagnia, not a standalone museum.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;What distinguishes the Catania Pupi from the Palermo ones?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;Size, weight and handling. The Catania Pupi, at 140 to 150 centimetres and 20 to 30 kilos, are considerably larger and heavier than the Palermo ones, which measure around 80 centimetres and weigh 6 to 7 kilos. They have rigid knees, directly as a result of the weight: at 25 kilos, rigid legs take the strain off the puppeteer, while at 7 kilos flexible joints are affordable. The sword sits fixed in the fist because sword combat is central to the repertoire. UNESCO names Palermo and Catania as the two main Sicilian schools.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;Is the show more important than the museum?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;Yes, and that should set your expectations. The Marionettistica is primarily a performing operation: it tours, produces its own cycles and collaborates with the Teatro Stabile di Catania. The 2015 museum is the collection wing of that operation. A visit without checking the programme is only of limited value.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;When are shows performed?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;That varies by season and can&#8217;t be stated permanently. We deliberately don&#8217;t list dates here that would be wrong tomorrow. Ask the compagnia directly for the current programme.&#8221;}},{&#8220;@type&#8221;:&#8221;Question&#8221;,&#8221;name&#8221;:&#8221;Where exactly is the bottega?&#8221;,&#8221;acceptedAnswer&#8221;:{&#8220;@type&#8221;:&#8221;Answer&#8221;,&#8221;text&#8221;:&#8221;Via Reitano 55 in Catania, in the historic centre near Castello Ursino and the Pescheria, the fish market. Note: a second address at the Vecchia Dogana occasionally circulates. We couldn&#8217;t clarify whether performances take or took place there &#8211; the compagnia&#8217;s own website gives Via Reitano 55. If you&#8217;re attending a show, ask to confirm the venue beforehand.&#8221;}}]}]}\n","protected":false},"excerpt":{"rendered":"<p>In short: The Marionettistica dei Fratelli Napoli is Catania&#8217;s most important puparo family &ndash; performing continuously since 1921, now run by the great- or great-great-grandchildren&#8217;s generation. Their Antica Bottega del Puparo on Via Reitano is workshop, theatre and, since 2015, also a museum. Important: this is not a museum with a ticket desk and fixed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3675,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3836","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/pages\/3836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/comments?post=3836"}],"version-history":[{"count":1,"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/pages\/3836\/revisions"}],"predecessor-version":[{"id":3837,"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/pages\/3836\/revisions\/3837"}],"up":[{"embeddable":true,"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/pages\/3675"}],"wp:attachment":[{"href":"https:\/\/www.treffpunkt-sizilien.de\/en\/wp-json\/wp\/v2\/media?parent=3836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}