Opera dei Pupi Turi Grasso (Acireale): Theatre, Museum & Visit

Wetter wird geladen …

In short: The Teatro-Museo Opera dei Pupi Turi Grasso near Acireale is a house built by a single man – the stage, the puppets, the backdrops, even the fresco on the wall. Here stands the banco di manovra, the manoeuvring bridge above the stage: the Acireale invention of the 1920s that is almost everywhere wrongly credited to the Catania school. Important: the company’s website is visibly from around 2008 – confirm times and admission by phone beforehand.

Quick Facts

  • Type: theatre and museum of a puparo family, in one building
  • Address: Via Nazionale per Catania 195, Acireale – the Capomulini district, not in the historic centre
  • Operator: private, family-run (puparo Turi Grasso and family) – not a regional-museum house
  • Admission: the website states free admission – but the page dates from around 2008, please ask
  • Opening: per the website, Wed, Sat, Sun (summer 9am–12pm and 6–9pm, winter 9am–12pm and 3–6pm) – contradictory, please call
  • Shows: summer (Jul–Sep) Thu and Sun 9pm; otherwise cycles or by request
  • Special feature: the banco di manovra – a manoeuvring bridge 140cm above the stage
  • Acireale-type Pupi: approx. 120cm, 15–18kg – deliberately smaller than the Catania type (140–150cm, 20–30kg)
  • Don’t confuse: Teatro Macrì is a different place; operadeipupi.it leads to Palermo
  • Info: +39 095 7648035 · mobile 347 8061464 · info@operadeipupi.com

Why the Visit Is Worth It

The story of this house begins with an insult.

Turi Grasso came at sixteen to the theatre of Emanuele Macrì, Acireale’s most significant puparo. He became his assistant, operated the puppets, restored them, and toured Europe with the company – through Belgium, all the way to the court of King Baudouin, through Switzerland, Germany and to Milan. Thirteen years.

At the end of 1963 he struck out on his own. The trigger, as the company itself tells it, was Macrì’s mockery in Sicilian dialect: you’re crazy if you think you can build puppets and a theatre on your own account. Grasso then built exactly that – puppets, scenes, stage and the manoeuvring bridge, with the support of his wife Venera.

What came of it now stands on Via Nazionale: a teatro-museo built by one hand. The collection shows the best work of fifty years, plus Pupi and memorabilia from the late 19th century, stage backdrops in the Catania style, heads and equipment of the Acireale theatre – and the fresco of the Archangel Michael, which Grasso painted himself.

A detail the company itself notes: Turi Grasso is registered with the Catania Chamber of Commerce as a marionettist, puppet-maker and restorer – with the remark that there is no official professional category called “puparo” at the national level.

The Banco di Manovra – the Acireale Invention

Anyone reading about the Opera dei Pupi quickly comes across the claim that the Catania school is operated “from a bridge behind the stage.” That’s imprecise – and here is the proof.

The banco di manovra, the manoeuvring bridge, is an Acireale invention of the 1920s. It was invented by Mariano Pennisi, known as “Nasca,” and developed further by his adopted son Emanuele Macrì. It is a wooden beam above the stage frame, 140 centimetres above the stage floor: the pupari stand on it, that is, above their puppets, and operate them with especially long iron rods. That allows movements of great amplitude.

The second trick: the Acireale puparo placed the stage backdrop behind the bridge rather than in front of it. That produced a new stage perspective, more figures that could be operated at once – and the fencing choreography known as the danza delle spade, the sword dance.

And they explicitly distanced themselves from Catania: there, operation was “rather bound and laborious because of the great mass of the Pupi,” as the company writes. So the Acireale puparo reduced height and weight.

PalermoCataniaAcireale
Heightapprox. 70–80 cm140–150 cmapprox. 120 cm
Weight6–7 kg20–30 kg15–18 kg
Kneesflexiblerigidrigid
Swordinterchangeablefixed in the fistfixed in the fist
Operatedfrom the sidesfrom abovefrom above, from the banco di manovra

The reasoning behind it: the rigid knees are not a matter of style but a consequence of weight – at 6 to 7 kilos a puparo can hold the figure for a long time and needs joints; at 25 kilos, rigid legs take the strain off. And the sword fixed in the fist of the eastern school comes from the fact that the duel is central to the repertoire – unlike in the west, where the material ranges from epic to social scenes to classical themes.

For context: UNESCO recognises two main Sicilian schools, Palermo and Catania. Acireale is not a third school, but the most distinctive sharpening of the eastern one – and its own trademark is usually credited to Catania of all places.

Who Is This Museum For?

CriterionWell suitedLimitations
Anyone wanting to understand the techniquethe original manoeuvring bridge stands here–
Familiessummer show Thu and Sun at 9pm9pm is late for young children
Summer travellersa fixed schedule July to September–
Travellers outside summercycles and shows on requestno fixed schedule
With a rental carlocation on the national road, outside the old townparking situation undocumented
Spontaneous visitors–opening hours contradictory – call ahead
Anyone wanting a tour and a manoeuvring demonstrationpossible – including meeting the puparoby advance booking only

Opening Hours and Admission: Why We Don’t Commit

The company’s website gives clear figures: open year-round on Wednesdays, Saturdays and Sundays, in summer 9am to 12pm and 6 to 9pm, in winter 9am to 12pm and 3 to 6pm – and free admission.

We don’t present that as fact. The site is visibly old: built with Microsoft FrontPage, with a copyright notice of 2008 in the footer. An opening-hours portal also names entirely different times. Nobody would take a claimed free admission that no longer applies in 2026 as a mere typo – it would annoy visitors on the spot. So: call ahead, 095 7648035.

What is certain: guided tours, a manoeuvring demonstration and meeting the puparo are available by advance booking only. And regional-museum rules don’t apply here – the house is private. The logos of the Regione Siciliana, the city of Acireale and UNESCO on the homepage denote patronage, not ownership.

Shows

In summer – July, August, September – the company states a show every Thursday and Sunday at 9pm. Outside summer, performances run in cycles or on request: for travellers, groups, conferences, school classes and public institutions, in the house’s own theatre or at any suitable venue, at home or abroad.

Documented, for instance, are autumn cycles in November with pieces like Dama Rovenza and Martuffo nella fossa infernale, as well as spring series titled Domenica al Teatro. The company does not state prices for shows – please ask about this too. The same age caveat as above applies to the summer times.

Getting There

The teatro-museo is at Via Nazionale per Catania 195, in the Capomulini district – that is, on the national road and not in Acireale’s baroque old town. The company itself describes the location as “near the Hotel La Perla Jonica.”

In practice, that is more of an advantage: unlike in Catania or Ortigia, there is likely no ZTL issue here – though we cannot document that, nor the parking situation. We therefore assert nothing. More on the region: Catania; more generally Buses & trains in Sicily and Car rental in Sicily.

On accessibility, photography rules and visit duration, there is no source. We therefore state nothing.

Best Time to Visit and Common Mistakes

In summer there is a fixed schedule, otherwise cycles and shows on request. The most common mistakes:

  • Turning up without calling. The website’s opening hours date from around 2008 and contradict other sources.
  • Counting on free admission. The website says so – but on the same outdated page.
  • Looking for the Teatro Macrì. That is a different, separate venue in Acireale. A related tradition, a different house.
  • Visiting operadeipupi.it. That is Palermo. Acireale is operadeipupi.com. A wrong booking link sends you 200 kilometres away.
  • Hoping for a show outside summer. Then it’s only cycles or on request.
  • Looking for the house in central Acireale. It is on the national road in Capomulini.

For a seasonal overview, see Best Time to Visit Sicily.

Nearby

Frequently Asked Questions

What does admission cost?

The company’s website states free admission. We don’t present that as fact, though: the page is visibly old – it was built with Microsoft FrontPage and carries a 2008 copyright notice in the footer. A claimed free admission that no longer applies in 2026 would be an annoying error. Call ahead: 095 7648035.

When is the teatro-museo open?

The company states on its website Wednesdays, Saturdays and Sundays – in summer 9am to 12pm and 6 to 9pm, in winter 9am to 12pm and 3 to 6pm. An opening-hours portal, however, names completely different times. We cannot resolve the contradiction, especially since the operator’s page dates from around 2008. Calling ahead is the only reliable approach here.

Do Sicily’s regional-museum rules apply here?

No. The teatro-museo was built entirely by puparo Turi Grasso and his family and is run by them – it is a private house. The logos of the Regione Siciliana, the city of Acireale and UNESCO on the homepage denote patronage and context, not ownership. There is therefore no free first Sunday and no age-tier discount under the regional standard.

When are the shows?

In summer – July, August, September – per their own information, every Thursday and Sunday at 9pm. Outside summer, shows run in cycles or on request: the company performs for travellers, groups, conferences, school classes and public institutions, in its own theatre or elsewhere. Documented, for instance, are autumn cycles in November and spring series. The website’s age caveat applies here too – ask in advance.

Do the museum and the theatre belong together?

Yes, it’s one building. Turi Grasso built it himself: the museum room and the stage with the typical Acireale manoeuvring bridge are in the same building, along with a fresco of the Archangel Michael that Grasso also painted himself.

Were Macrì and Turi Grasso the same family?

No – this is a common mix-up. Emanuele Macrì was Acireale’s most significant puparo; Turi Grasso came to his theatre at 16, became his assistant, operator and puppet restorer, and toured Europe with the Compagnia Macrì. At the end of 1963 he went independent – triggered, among other things, by Macrì’s mockery that he was crazy to think he could build puppets and a theatre on his own account. That is exactly what he then did. The Teatro Macrì is a different, separate venue in Acireale.

What is the banco di manovra?

The manoeuvring bridge – and it is the Acireale invention par excellence. A wooden beam above the stage, 140 centimetres above the stage floor, from which the pupari stand above the puppets and operate them with especially long iron rods. It was invented in the 1920s by Mariano Pennisi, known as Nasca, and developed further by Emanuele Macrì. The Acireale puparo also placed the stage backdrop behind the bridge rather than in front of it – producing a new perspective, more figures operable at once, and the fencing choreography known as the danza delle spade.

Are the Acireale Pupi like the Catania ones?

Similar, but deliberately smaller. Catania-type Pupi measure 140 to 150 centimetres and weigh 20 to 30 kilos. The Acireale puparo reduced them to around 120 centimetres and 15 to 18 kilos – explicitly to distinguish themselves from Catania, where operation was considered cumbersome because of the size. The rigid knees and the sword fixed in the fist remained. So if you read that the bridge is a Catania feature: it isn’t, it’s from Acireale.

How big is the collection?

It shows the best work from Turi Grasso’s fifty years of activity, plus Pupi and memorabilia from the late 19th century, stage backdrops in the Catania style, heads and stage equipment of the Acireale Pupi theatre. Add to that the hand-painted announcement posters for the Paladins’ episodes, the stage curtain, the platform with the manoeuvring bridge, and the fresco of the Archangel Michael.

Watch out with the website – which one is correct?

A real trap: operadeipupi with the .com ending is Turi Grasso in Acireale. Operadeipupi with the .it ending is the Marionette Museum Pasqualino in Palermo. Anyone who gets the wrong address and books there ends up 200 kilometres away.

The Riviera dei Ciclopi

Acireale, the Cyclops’ coast, Catania and Etna sit close together and make up their own, calm stretch of a trip – we put it together and book the accommodation. Just send us a no-obligation travel request.

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Sources & Updates

Ownership, address, history, the collection, the technique of the banco di manovra, and the dimensions and weights of the Pupi follow the website of the Compagnia Opera dei Pupi Turi Grasso (operadeipupi.com); documentation of autumn and spring cycles follows the event archive of the Opera dei Pupi network and notices from the Museo Pasqualino; the UNESCO status of the Opera dei Pupi (proclaimed 2001, inscribed on the Representative List 2008) and the statement on the two main Sicilian schools follow the primary source ich.unesco.org. As of: 17 July 2026. Explicitly flagged with a caveat: opening hours and the free admission stated by the company – the website is visibly from around 2008 and is contradicted by other sources. Undocumented and therefore left open: show prices, parking options, ZTL status, accessibility, photography rules and visit duration. The weight figures also vary even within the operator’s own source, which is why we give ranges rather than point values. Admission and opening hours are time-dependent and should be checked before your visit.

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